In addition to the traditional style of writing short stories, Bezbaruah has his own techniques in storytelling. The story is divided into various articles like thieves, Jayanti, don’t forget us, sonwan father, Bhadri, Ratanmunda and others. There are many such stories in the fairy tales. It also connects the closings by dividing Chapter I, Chapter II, etc. The author has appeared in the story, Patmugi, Malak Guin Guin, Nangal Chandra Das and others. In the case of gestures, Malak Guin Guin has innovated in the story. The stories have critical aspects. At the end of the story ‘Patamugi’, he is seeking the opinion of a critic. Critics say that the story is a coating of unreality in the story and that the story will be a laughing stock. In the story of Vempuria Mouzadar, conclusion is “histrishry Vempuria mauzadarsva nam nam san sandhana”. The story of Nangluchandra Das initially shows special expressions. The character of the narrator introducing the main character and starts the name of the father, his mother’s name and home. Some stories have connected the lines of Assamese folk songs, proverbs, proverbs, poems, etc. to the stories ‘Jalkunwari’ You too, Rupahi, I also went to the scene of the silver spring. They were in the right in the middle. This is how the appeal of the story is increased. There is no fairy tale in Surbhi. When writing a story, it is natural that the influence of fairy tales cannot be excluded, with the help of dreams, the old-fashioned tombs, the slims found in the pond, the ability to speak out, the trees in the eggplant. He has relied on Awan e farming, Assamese bureaucrats and dignitaries, the Bengali middle class society of Calcutta, the Orisad nature, the people of the Cool-Munda caste, etc. Bhadri, Shishuram, Bhadai, Rudai’s wife—these characters are Assamese, Assamese, Assamese, Assamese, Assamese; The mother of Bhokonda and Bhurbhura is an ordinary villager in the same village. During the British rule, it is good or the greatest swallows of the modern bureaucrats, the Bengali society is the slum of the modern bureaucrats. During the reign of the Hongraj, the sons of the Mess, who killed the zamindar boy, and the Mess in Calcutta, who killed the zamindar boy, were in Calcutta. Bezbaruah reflects such a society through stories. They are observing B conversations, behaviour, and closely. However, Assamese films are not presented like that. They are the ones who have been able to describ the jokes with the help of jokes. Thus, he pointed out the irregularities prevalent in the society. There are many characters in the film, but the most important ones are the characters of the characters in the film. There are many characters in the film, but the most important character is the character of the character of the character of the character of the character of the character. In his memory, Bezbaruah mentioned that a servant named Dhani was in their house and raised them by the family members of such a servant. Therefore, the story of ‘Bapiram’ can be thought to have an influencing one’s life experience. He said the British removed the slavery practices in Assam and showed the relationship between the host and the servants. Khatnia’s house is like his own home. According to Stevenson, some characters should be adjusted with a plot, a character should be portrayed with events, situations, etc., and some people and activities should be created to feel an environment and create some of them. These three types of stories can be written, so this method in Bezbaruah’s stories
It’s. The issue of application can be noted. There are many stories about the Assamese society, but the Bengali community and the Kol-Munda community are also known in the stories. Bengali manners, behaviors, etc. in the laokhola; The story of the tremendous picture of marriage and the end of life, the unseen of the strange English, the dress, the dress, the movement and the conversation with his wife, the story of the sword, the description of it, the Western education system and the influence of the ideas are in the story. The conclusion of the story should be miraculous according to the characteristics of the story, which is available in Bezbarua. Many stories have concluded with their own thoughts. Bezbaruah’s negative stories have not hurt the reader. Light humor is prevented from creating a negative environment from time to time. Some stories have become unrealistic because of the use of fairy tales. The unity of the subject and the structure of the story is weakened. In the editing of the book ‘Assamese Stories’, Homen Bargohain writes about Bezbarua’s stories as follows: “He wrote stories with limited purposes in a limited scope, and his natural talent of his humor and hypocrisy enjoyed them among the boundaries of a particular era. The main demand of Bezbaruah in the history of Assamese short stories is that he was the father of Assamese short stories.”
The stories belong to the collection of stories ‘Survi’::
From Firingti, Khandav is burning, Gita, Lambodar Deka, Nistani Devi or Fatema Bibi, Bhuruki Bau, Laokhola, Jatiram’s Jat, Malak Guin Guin, Master’s Fisan, ‘Bpiram, Madhai Malti’ at first sight. The curriculum of the Graduate Sixth Semester of the University of Guwahati includes only three short stories in Survi, including Bapiram, Laokhola and Malak Guin Guin Guin Guin. Therefore, it is a brief discussion about these three short stories according to the needs of those students.
Language-(English)